ABOUT BOOK

1: Development1.1: Determining Your Distribution Outlet1.2: Understanding Your Audience1.3: Production Styles1.4: Video Formats2: Releases and Contracts2.1: Legal Protections2.2: Image Licensing2.3: Music Licensing3: Scripting and Formats3.1: Rundowns, Formats and Storyboards3.2: Single-Column Scripts3.3: Multi-Column Scripts3.4: Three-Act Structure4: Production Preparation4.1: Planning to Shoot4.2: The Production Bible4.3: The Business of Filmmaking5: Funding5.1: The Business Plan and The Production Plan5.2: The Film Proposal5.3: Grants5.4: Fellowships5.5: Other Funding Avenues5.6: Film Festivals6: Set Etiquette6.1: Who Does What6.2: The Director's Commands6.3: When the Shooting Stops7: Camera Functions7.1: DSLR vs. Mirrorless vs. Camcorders7.2: Memory Cards7.2.1: Formatting the SD (Memory) Card7.3: Manual Mode7.4: Iris/Aperture7.5: Depth of Field7.6: Neutral Density Filters7.7: Gain and ISO7.8: Focus7.9: Frame Rate and Shutter Speed7.10: White Balance7.11: Lenses8: Video Aesthetics8.1: Basic Shot Sizes8.2: Camera Position8.3: Camera Movements8.4: Lens Movements8.5: Video Composition8.6: Critical Focus9: Lighting9.1: Measuring Light9.2: Types of Lamps9.3: Qualities of Light9.4: Common Lights9.5: Light Modification and Control9.6: Lighting Design10: Sound10.1: Elements of Sound10.2: Microphones10.2.1: Microphones Used in Video Production10.2.2: Polar Patterns10.3: Audio Connectors10.4: Controlling Sound with a Video Camera10.5: Location Audio11: Planning/Organizing for the Edit11.1: The Art and Craft of Editing12: Nonlinear Systems and Requirements12.1: Nonlinear Systems and Requirements13: Formats/Compression13.1: Formats/Compression14: Editing Workflow/Assembly14.1: Editing Workflow/Assembly15: Rough Cuts15.1: Rough Cuts16: The Finishing Process16.1: Steps of the Finishing Process16.2: Fixing Transition Mistakes16.3: Fixing Titles and Graphics16.4: Fixing Color and Exposure16.5: Video scopes for post-production16.6: Video Tutorials on Color and Audio techniques